Set design is the most important part of concept. The set design and concept give overall look to the audience by describing director’s concept and also a home for a model to interact with. Also, the set gives the photographer an idea to shoot by creating frames through which to tell the story. From Production Design, and inside the Art Direction of an audio-visual media creation, the scenography, assembling and enhancing sets through appropriately props and explicit upholstery determination gets basic, particularly when it’s an old period to reproduce like Veer, Devdas, Jodha Akbar.
Where the objective is a period/vintage setting enriched, the early phase is fundamental a profound memorable documentation from required sets that both the director and photography director give. On a set, inner parts enrichment or the external set structure require an Art Direction Department formed by set decorators, costumes, painters, cosmetics specialists… that will set up the casing where the portrayal of the characters will occur during the shooting.
From that point forward, it will be as yet required after creation in a cautious manner and the best possible film determination to show up at final audience. And also, if the script needs to host the main scenes on huge sets or to be destroyed as per the audience and the goal requires a change in the location, from designs, buildings and professionals, if needed the elements are selected.
The plan of the set, lighting, music, sound and outfits, and the manner in which computerized innovation is utilized all add to the crowd’s insight. There is a scope of functions inside theatre design. The set designer starts by sketching their ideas with director and cast. When finalized, they prepare a model box and with that they make necessary adjustments. The choosing of lightnings as per the script geared lights when in danger that attracts the audience and make them understand or connect the emotions of the character. Also, the sound choices play a huge role in set design because it reflects the emotions of characters eg: the ticking sound that builds tension or creates fear. Story and characters must start things out. The innovation is there to improve and complement the production, not to overwhelm or upstage it. The decoration of the theatre can also be a factor in social comfort, as it can make the audience feel that the presentation of art is above or beneath their social level.